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bumpusdogs
"There are people who own dogs and love dogs. And then there are dog people—the ones who go a little overboard. These are the people who are so doggy, everything they do is sort of a dog thing." - William Wegman



It should come as no shock to any of you who get a kick out of my Furry Friday posts that I am a big fan of William Wegman. This picture is a 1986 Wegman image called “Roller Rover,” in which his beloved cinnamon-gray Weimaraner Fay Wray is seen perched atop two pairs of roller skates. The picture, now 26 years old, remains a definitive example of the work that has made Wegman one of the world’s most widely-known conceptual artists. It combines comedy, surrealism, and satire, anthropomorphizing at will—but always with a purpose. His pictures puncture the regal bearing of the beautiful dogs by surrounding the animals with the absurd artifacts of everyday human life.

William Wegman was born in 1943 in Holyoke, Massachusetts. He received a B.F.A. in painting from the Massachusetts College of Art, Boston in 1965 and an M.F.A. in painting from the University of Illinois, Champagne-Urbana in 1967. From 1968 to 1970 he taught at the University of Wisconsin. In the fall of 1970 he moved to Southern California where he taught for one year at California State College, Long Beach. By the early 70s, Wegman's work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf , his work was included in such seminal exhibitions as "When Attitudes Become Form," and "Documenta V" and regularly featured in Interfunktionen, Artforum and Avalanche.

It was while he was in Long Beach that Wegman got his dog, Man Ray, with whom he began a long and fruitful collaboration. Man Ray, known in the art world and beyond for his endearing deadpan presence, became a central figure in Wegman's photographs and videotapes. In 1981, Man Ray died. It was not until 1986 that Wegman got a new dog, Fay Ray, and another collaboration began marked by Wegman's extensive use of the Polaroid 20 x 24 camera. With the birth of Fay's litter in 1989, Wegman's cast of grew to include Fay's offspring — Battina, Crooky and Chundo — and later, their offspring: Battina's son Chip in 1995, Chip's son Bobbin in 1999 and Candy and Bobbin's daughter Penny in 2004. Out of Wegman's involvement with this cast of characters grew a series of childrens' book inspired by the dogs' various acting abilities: Cinderella, Little Red Riding Hood, ABC, Mother Goose, Farm Days, My Town, Surprise Party and Chip Wants a Dog (all Hyperion). Wegman has also published a number of books for adults including Man's Best Friend, Fashion Photographs and William Wegman 20 x 24 (all Abrams) and Fay and The New York Times Bestseller Puppies (both Hyperion).

Wegman has created film and video works for Saturday Night Live and Nickelodeon and his video segments for Sesame Street have appeared regularly since 1989. His videos include Alphabet Soup, Fay's Twelve Days of Christmas and Mother Goose. In 1995, Wegman's film The Hardly Boys was screened at the Sundance Film Festival. After a twenty year hiatus, Wegman returned to the format of his video work from the 70s producing two new series of video works in 1998 and 1999. A collection of his selected video works from 1970-99 was recently released on DVD by Artpix.

Numerous retrospectives of Wegman's work have been made among them "Wegman's World," which opened at the Walker Art Center, Minneapolis in 1981 and toured the United States and "William Wegman: Paintings, Drawings, Photographs, Videotapes," which opened at the Kunstmuseum, Lucerne in 1990 traveling to venues across Europe and the United States including the Pompidou Center, Paris and The Whitney Museum of American Art, New York. More recent exhibitions have included retrospectives in Sweden, Japan, Korea and Spain and, most recently the exhibition "Funney/Strange," which opened at the Brooklyn Museum of Art in 2006 with a catalogue published by Yale University, making its final stop at the Wexner Center for the Arts, Columbus in the fall of 2007.

William Wegman lives in New York and Maine where he continues to make videos, to take photographs and to make drawings and paintings.
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marilynx
A refreshing image ... raised a smile!
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revenant
Thanks for introducing me to Wegman, Eric; another in an increasingly long list of photographer artists I would like to learn more about. A quick google search reveals his stunning ability to capture that vital dogginess despite all the anthropomorphism that makes these images so endearing. I'm amazed at the hard work it took to get *that* look.

Besides, any photographer who calls his dog "Man Ray" must be outstanding - as an artist and a dog person.

I have this image of a photographer positioning the dog, running back to the camera, missing the shot, running back to the dog, repositioning, running back to the camera... This says more about my experience with cameras and dogs (and I'm definitely a dog person) than about the technique and skill demonstrated here.

I'm particularly happy to see a non-human favourite image. (OK, so everything points to humanity in this image, but that's what photographs do, anyway.) It is an important part of our view of the world to record what matters most to us. Few emotions are stronger or purer than the relationship between a human and a dog. Some of my best - and worst - times have been shared with mine, and I still have dreams in which my last dog is alive and doing his thing.

Like many photographers, I know my images of children and animals usually miss that vital element: timing. I am duly and very impressed by Wegman's ability. I have no idea how he achieved your image.

Why did you choose this one, Eric?
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yellodog
Cool picture even though reality has surpassed it with youTube awash with videos of dogs skateboarding and surfing.
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liveandletlive
Excellent choice Eric. I had a feeling your fave photo might include an animal. Thanks for all the info too.
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rmjannette
Fantastic. I love the description of Man Ray as endearing deadpan. That is the truth. In this particular portrait Man Ray looks so casual and he seems to really be looking back at something. Really whimsical and a great portrait. Thanks for reminding me to look at WW's work. It cracks me up.
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ponie
wow your pic just made my day i love it
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marilynx
So enjoyed touring his photos ... as a cat lover I had to go for this:

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bumpusdogs
@ revenant: Stefan, I wish I had a good answer for you but I don't other than the old "it speaks to me" cliche. There's just something about the expression, the slightly cocked rear skate, the monochromatic tone and all that just resonates with me.

To me there is a feeling of whimsy in this that I just adore and try (mostly unsuccessfully) to have in my photos. I can also respect the amount of time and effort that must have gone into this (and his other doggie) photos.

I love the way it is a beautiful and almost regal pet portrait shot, but then there are those darn roller skates... *lol*
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